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R.T.F. 25 novembre 1961

Continuamos con la cronología de la Verdadera historia del Rock & Roll. Capitulo 7 El inicio de una nueva era. No olviden suscribirse a mi canal y darle like. Puedes seguirnos también en: https://realhistoryofrock.blogspot.com/ https://www.facebook.com/La-verdadera-historia-del-rock-and-roll-100780261311851 No olviden darle like y compartir para incrementar nuestra comunidad roncanrolera

La esperada continuación de la verdadera historia del Rock & roll 1957 - 1959 primera parte. Puedes seguirnos también en: https://realhistoryofrock.blogspot.com/ https://www.facebook.com/La-verdadera-historia-del-rock-and-roll-100780261311851 No olviden darle like y compartir para incrementar nuestra comunidad roncanrolera

Primera parte del documental más completo de la Historia del Rock & Roll , desde sus inicios hasta la era actual. En éste primer capítulo llamado Las raíces del Rock & Roll trataremos de cronografiar las etapas más importantes e influyentes durante ésta maravillosa historia. Material solo con fines académicos. Puedes seguirnos también en: https://realhistoryofrock.blogspot.com/ https://www.facebook.com/La-verdadera-historia-del-rock-and-roll-100780261311851 Síguenos en Spotify, toda la música cronológicamente acomodada desde los inicios del Rock : https://open.spotify.com/playlist/6HvcUJZOmJxFaxvqoXF14z?si=q3Xm4Dm3TACOuxrRFpza7Q. No olviden darle like y compartir para incrementar nuestra comunidad roncanrolera

Antonio Vega en el programa RoCKoPoP, presentando su flamante primer disco en solitario “No me iré mañana”, con este adelanto en single, el inmortal “Esperando nada”. Presenta Beatriz Pécker. Emisión del 09-03-1991. De la web de RTVE.

In memory of Jack. https://www.amazon.com/shop/andrestrevino Ray Charles Lyrics Ray Charles Hit The Road Jack ------------------------------------------------------------ Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. What you say? Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. Woah Woman, oh woman, don't treat me so mean, You're the meanest old woman that I've ever seen. I guess if you said so I'd have to pack my things and go. That's right Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. What you say? Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. Now baby, listen baby, don't ya treat me this-a way Cause I'll be back on my feet some day. Don't care if you do 'cause it's understood you ain't got no money you just ain't no good Well, I guess if you say so I'd have to pack my things and go. That's right Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. What you say? Hit the road Jack and don't you come back no more, no more, no more, no more. Hit the road Jack and don't you come back no more. Well don't you come back no more. Uh, what you say? don't you come back no more. I didn't understand you don't you come back no more. You can't mean that don't you come back no more. Oh, now baby, please don't you come back no more. What you tryin' to do to me? don't you come back no more. Oh, don't treat me like that don't you come back no more. ----------------------------------------------- Hit the road Jack Recorded by singer-songwriter-pianist Ray Charles with the Raelettes vocalist Margie Hendricks. Ray Charles Robinson (September 23, 1930 -- June 10, 2004) was an American singer-songwriter and composer.

The Beatles - Love Me Do

Saturday Night Beech-Nut Show. February 13, 1960. Re-uploaded with corrected audio.

RAY COLLINS HOT CLUB -- KNOCK OUT BOOGIE

Dion & The Belmonts I Wonder Why 1958 Rare Full Footage

Saturday Night Beech-Nut Show. August 22, 1959. Re-post of earlier upload.

Mello-Kings - Tonite Tonite [1957]

Thanks to their fine-tuned choreography, and even finer harmonies, the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. The Temptations' initial five-man lineup formed in Detroit in 1961 as a merger of two local vocal groups, the Primes and the Distants. Baritone Otis Williams, Elbridge Bryant, and bass vocalist Melvin Franklin were longtime veterans of the Detroit music scene when they joined together in the Distants, who in 1959 recorded the single "Come On" for the local Northern label. Around the same time, the Primes, a trio comprised of tenor Eddie Kendricks, Paul Williams, and Kell Osborne, relocated to the Motor City from their native Alabama; they quickly found success locally. In 1961, the Primes disbanded, but not before Otis Williams saw them perform live, where he was impressed both by Kendricks' vocal prowess and Paul Williams' choreography skills. Soon, Otis Williams, Paul Williams, Bryant, Franklin, and Kendricks joined together as the Elgins; after a name change to the Temptations, they signed to the Motown subsidiary Miracle, where they released a handful of singles over the ensuing months. Only one, the 1962 effort "Dream Come True," achieved any commercial success. The Tempts' fortunes changed dramatically in 1964 when they recruited tenor David Ruffin to replace Bryant; after entering the studio with writer/producer Smokey Robinson, they emerged with the pop smash "The Way You Do the Things You Do," the first in a series of 37 career Top Ten hits. With Robinson again at the helm, they returned in 1965 with their signature song, "My Girl," a number one pop and R&B hit; other Top 20 hits that year included "It's Growing," "Since I Lost My Baby," "Don't Look Back," and "My Baby." In 1966, the Tempts recorded another Robinson hit, "Get Ready," before forgoing his smooth popcraft for the harder-edged soul of producers Norman Whitfield and Brian Holland. After spotlighting Kendricks on the smash "Ain't Too Proud to Beg," the group allowed Ruffin to take control over a string of hits including "Beauty's Only Skin Deep" and "(I Know) I'm Losing You." Beginning around 1967, Whitfield assumed full production control, and their records became ever rougher and more muscular, as typified by the 1968 success "I Wish It Would Rain." After Ruffin failed to appear at a 1968 live performance, the other four Tempts fired him; he was replaced by ex-Contour Dennis Edwards, whose less polished voice adapted perfectly to the psychedelic-influenced soul period the group entered following the success of the single "Cloud Nine." As the times changed, so did the group, and as the 1960s drew to a close, the Temptations' music became overtly political; in the wake of "Cloud Nine" -- its title a thinly veiled drug allegory -- came records like "Run Away Child, Running Wild," "Psychedelic Shack," and "Ball of Confusion (That's What the World Is Today)." After the chart-topping success of the gossamer ballad "Just My Imagination (Running Away With Me)" in 1971, Kendricks exited for a solo career. Soon, Paul Williams left the group as well; long plagued by alcoholism and other personal demons, he was eventually discovered dead from a self-inflected gunshot on August 17, 1973, at the age of 34. In their stead the remaining trio recruited tenors Damon Harris and Richard Street; after the 1971 hit "Superstar (Remember How You Got Where You Are)," they returned in 1972 with the brilliant number one single "Papa Was a Rolling Stone." While the Tempts hit the charts regularly throughout 1973 with "Masterpiece," "Let Your Hair Down," and "The Plastic Man," their success as a pop act gradually dwindled as the 1970s wore on. There is a lot more to learn about the Temps and I urge you to read more about them. ~ Jason Ankeny, All Music Guide PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index

The Searchers' cover of this Clovers' song.

VÍDEO RE-EDITADO CON TEMA MUSICAL DE "LARRY ELGARDT & HIS MANHATTAN SWING ORCHESTRA" - HOOKED ON SWING, EN HOMENAJE A ESTA LINDA ÉPOCA MUSICAL Y DE BAILE FENOMENAL, DESDE LIMA PERÚ.

Domenico Modugno sings Nel blu dipinto di blu also known as Volare on Ed Sullivan's show in 1958. Music by Domenico Modugno, lyrics by Domenico Modugno and Franco Migliacci.

Pure black rock n roll spin courtesy of Amos Milburn - a personal play from Londons' original roaming 80's warehouse party the Dirtbox. ''Chicken Shack Boogie'' typified the riotous evenings, Pils snakebite please...hic

After learning to play the guitar in prison, a young man (Elvis Presley) becomes a rock 'n' roll sensation. Connect with Turner Classic Movies: Visit TCM WEBSITE: http://myt.cm/TCMwebsite Follow TCM on INSTAGRAM: http://myt.cm/TCMinstagram Like TCM on FACEBOOK: http://myt.cm/TCMfacebook Follow TCM on TWITTER: http://myt.cm/TCMtwitter Subscribe now to watch more classic film content from TCM http://spr.ly/6017cTBT

Gene Vincent - Be-Bop-A-Lula (1st Appearance, Town Hall Party 1958)